Style marker
Syncopated 3-note rhythm
Several Billy Joel songs from the mid-'70s contain a similar rhythmic pattern: he sings a dense sequence of sixteenth or eighth notes, with a note onset on all subdivisions but the first in each group of four.
From early on, I felt Beethoven. I still think he is the greatest composer who ever lived.
— Billy Joel, interview in Far Out Magazine (2025)
Connection


The sequence [that opens the chorus of Movin' Out] is heard untransposed [...] in the F-major Sonatina ascribed by Thayer to Beethoven's Bonn period (first movement, mm. 35-38).
— Walter Everett, 2000. "The Learned vs. The Vernacular in the Songs of Billy Joel". Contemporary Music Review, 18(4).


